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Issue: 382
22 July 08 - 28 July 08

Latest Homes issue 382 cover

Over 200 pages of the biggest and best homes in Brighton

Previous Articles for November, 2007

» Chez Kay

Andrew Kay on the art of managing disappointment in the modern world

I have just eaten one of the most disappointing lunches of my life. It’s been a busy week, my diary is bursting, my brother and family are about to arrive for a three day break, and my desk looks like it has been ransacked. I had to pop out at lunch to buy a forgotten birthday present for a ten-year-old nephew and in my eagerness to get things done, I decided to pop into the new supermarket across the road from Latest Heights and pick up an easy lunch.

How confusing it is buying a ready meal. It’s not something that I do often but at work they can offer a quick fix on a busy day. I went down the appropriate aisle and started to ponder the choices. My word, bargains, healthy options, family feeds, and posh nosh in packaging that uses a lot of black ink in the hope that it will appear sophisticated.

‘‘Posh nosh in packaging that uses a lot of black ink in the hope that it will appear sophisticated’’

I’m all in favour of clear labelling and the listing of a product’s nutritional value, its calorific content and its lack of GM products or organic street cred. But pile all that up high and really it’s like doing the research for a PHd rather than buying lunch.

In the end I went for a healthy option which repeatedly stressed what a wise choice I was making given its rather marvellous content. They seem very keen to let us know how good something is for us or how tasty it will be. What they don’t tackle is managing our disappointment.

Yes, it was a let down, I may have eaten healthily but it left me wanting more. Low fat but pleasure free.

I also picked up a peach that claimed it was ripe and ready to eat. Well if it had been a turnip it might have passed muster but as a peach it did not. It was crunchy and tart, as far from ripe and ready to eat as is possible. Oh I know I should have taken it back but it was sticky and dripping, and remember, I am a busy person today.
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On the way out of the supermarket a bevy of busty beauties and a token fit lad thronged towards me, brandishing leaflets telling me all about the various benefits of my store card thingy, and with it came a bar of chocolate.

At the end of the day they had saved themselves with a promotional freebie, a bar of choc that, whilst being in no way gourmet, did at least kick start the clever work that they do on free radicals. Aaargh! They’ve even got me at it now, I’m rationalising the act of eating chocolate, justifying it with science. I feel soiled, the pleasure has gone, it was a sweetie bar, a sin, a naughty pleasure and even I want to sanctify that pleasure, make it clean and sin free. I need help. No I don’t, I just need another bar of chocolate.

» City and Country Gardens

What’s coming up in the garden this week. By Louisa Bell of City and Country Gardens

Design and construction

On the level
Buying a house is a huge decision, undertaken after a ten minute visit with a biased estate agent. As you walk around looking at the views, you are mentally making mortgage calculations in your head. Can we afford it, could we live with this carpet for now? People start off with a fixed list – “ We must have four bedrooms and detached” – and then fall in love with a three bedroomed semi. One thing that isn’t usually a compromise is the garden. If somebody wants a garden, they’ll rarely buy a property without that outdoor space.
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People’s attitudes to their gardens fascinate me. To some it’s a complete priority to get the garden done. They’ve thought it through. They already know that we will probably need a digger, dumper and space to drag through unwanted trees. They also know that this will make a mess. Access can be critical if levels need changing. We will often be able to change levels within a landscape without removing soil from site. This is the ‘cut and fill’ option. However, we still need a digger to move the soil around. If we need to reduce levels drastically, the soil needs to be removed, and this needs a digger and dumper.

Access is needed for skips and grab and tip lorries and the driveway is often commandeered for a couple of weeks. Once the main clearance has happened, life can return to some normality. After that, its men moving soil around and then the infrastructure of walls and paths can go in place.

Even a garden that seems very flat to the eye will have level issues. It’s imperative that drives, paths and patios all drain away from the house and have the correct ‘falls’. If the doors at the back of the house are lower than the garden, the earth will have to move!
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We are working on five sites this week, which is keeping us busy! Three are hugely sloped and two are flat. The two flat ones are the more difficult ones, from a level point of view and will be the ones where the most soil is actually taken off site. The smallest, flattest one has a kitchen door that’s a good foot below the rest of the garden. Therefore the rest of the garden has to go down over a foot and lead away from the door.

Our most sloping site – 8 metre drops from top to bottom, and a metre from side to side – is a much more straightforward job of cut and fill, but going from this to this (see pictures below) needs forward thinking by a client.

Plants

Block mentality
The planted garden lets everyone down at this time of the year. A garden without design is a miserable thing in December. The lawn could have had another cut, but it was too wet and now it’s covered in leaves. The borders are full of brown, rotting plants that the frost has finally permeated and killed off. A few apples hang disconsolately from their branch and the last couple of leaves hang on trees like survivors of a ship wreck, just waiting for the next wave of wind to finish them off. Of course, the designed garden is still a thing of beauty, but I would say that, wouldn’t I! The infrastructure holds it all together.

The paths, patios, pergolas, walkways, lighting, water features. They all look just as good now as they did in the summer, and the designer’s planting is so different from a gardener’s plants. We’re not scared to plant in blocks of shape, colour and texture. You’ll never go and put seven of the same plant into your trolley at the garden centre, but we will! The garden will have form right through the winter, and even though things are dying off, there is still enough shape and structure to hold the garden together through these next few weeks, until the lovely bulbs start poking through. A joyful time!

Your plant of the week should really be the group that looks best, not the individual. One sedum will look miserable now, but nine will look fabulous. One clump of grass will have started to bend over, but a whole swathe of grasses will look magnificent in the frost. Even roses that are pruned into shape will add something to the picture. Little joys of plants will punctuate the garden throughout December and I am hoping to have a New year’s day count of flowers, but right now it’s blocks and sweeps of plants that keep it all together. Remember, always buy in groups and never less than three!

Things to do

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In the winter garden, there are still little pots of plants that will struggle along and flower bravely. My Mum always has pots of lovely little flowers in her house or on the step just outside her French doors. She brings them into the warmth, and they decide to blossom like mad. Yesterday, she had the most beautiful old terracotta pot of violas.

Once they’re finished, she pops them back into a sheltered spot to recover, and brings in something else. I will start buying bulbs every week now. The nursery has hyacinths in bud, and pots of narcissi. Put an old table outside – buy one from a junk shop and paint it – right near the window where you can see it from the kitchen sink or the sitting room doors. Buy five or seven lovely pots of different sizes, or find old terracotta pots, and pop in a selection of plants from the nursery. Use bulbs in a couple, ivy in another and flowering pansies. Group them on the table and I promise they will give you such pleasure through the coming weeks. As Christmas approaches, add baubles and ribbons and string little fairy lights through them. Just one small table for mankind and something lovely to look at, as you stand at the sink.


For all the things in your garden, talk to us!

City and Country Gardens
01273 202115 / 01903 892285
www.city-gardens.net

» Deck the halls

Give your traditional Christmas décor a fresh twist, as Interiors gives advice on how best to use Christmas greenery

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Potted red orchid £30/£47, rose arrangement £35/£54 both Grey Rose by Jane Packer for Debenhams, www.debenhams.com

Many of the evergreens and plants used to decorate Christmas homes are old favourites – ivy, mistletoe and spruce have bedecked halls, fireplaces and doorways for centuries. These days we supplement old favourites with colourful berries and bouquets. Choosing Christmas flowers and plants is an oasis of pleasure amongst the seasonal bustle and stress: This week, Interiors presents a festive guide to cracking Christmas blooms.

Beautiful bouquets and arrangements

Think bold for floral decorations this year. Although Christmas colours remain fairly constant (red or white, glossy green foliage), this year you have license to play with more exotic shades: Black, purple or shades of chocolate sit well alongside the traditional tones. Christmas plants in modern colours make a great centrepiece – a glass tank-vase with five huge white amaryllis, or a ceramic pot of dusky plum-coloured poinsettia.

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Christmas topiary, £35, www.marksandpsencer.com

Monotone bouquets and single-flower arrangements (all-white lilies, chrysanthemums and mistletoe, or a huge hand-tied bunch of scarlet roses) make a striking centrepiece. For a more contemporary look, choose striking black, white and red orchids, or well-manicured miniature evergreens.

Table decorations

Traditional table displays should be given a modern twist. Beeswax candles arranged in oriental oblong ceramic trays, adorned with hops, ivy or winter jasmine, set off a contemporary table very well. If space is tight (as it usually is for Christmas dinner!), think small and simple: single white and green chrysanthemum blooms floating in small glass bowls, or individual shot glasses each with a sprig of winter berries, are neat solutions.

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Cranberry wreath, £9.50 www.marksandpsencer.com

Wreaths and decorations

Christmas wreaths are increasingly popular. As with flowers, the trend this year is for bold statement, and a hint of luxury. Simple designs are often the most striking: red Christmas roses or berries, glossy green ivy or fluffy moss are very effective. Peacock feathers and glass baubles are also creeping into the shops this year. Check out local suppliers and florists for hand-made natural wreaths, which always look beautiful.
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Snowberry glass arrangement, £15, Jane Packer for Debenhams www.debenhams.com

Finally, what Christmas would be complete without mistletoe? This parasitic evergreen, which used to adorn England’s apple trees, is a traditional fertility symbol. With the gradual demise of Britain’s orchards, UK mistletoe is now an endangered species (don’t pick it wild!) and most of what we use each year hails from Brittany and Normandy. Check the source of any mistletoe you buy (or grow your own for next year: www.mistletoe.org.uk ). Hang it in one large bunch, anywhere that your intended is likely to stand still. Good luck!

» Marc the vet

The Paul O’Grady Show’s Marc Abraham raises concerns over hedgehogs and offers care advice

Hedgehogs are often described as the ‘gardener’s friend’ as not only are they fascinating to watch but they are also brilliant at helping gardeners keep pest species such as slugs under control in their own natural way.

In Sussex, one hedgehog recently even crossed the species barrier to make friends with a much-loved pet, when it was reported that a hedgehog and a pet tortoise had set up home together in someone’s greenhouse! While this story tends to conjure up a lovely image, it also serves as stark a reminder of how our native species are adapting their lives to exploit the urban sprawl which has now severed them from their own wider habitats.

“Hedgehogs have recently been added as a priority species due to their declining numbers”

Hedgehogs hibernate in the winter to reduce the amount of energy used in the months when food becomes scarce as, unlike some birds, they are unable to migrate to warmer places with more abundant energy sources. Hibernation is often confused with deep sleep,however it is a complex change in the hedgehog’s metabolism when the heartbeat will drop to less than 20 beats per minute and breathing can occur only every few minutes.

But they don’t sleep for the entire winter, waking on average every 7–11 days. Recent research has suggested that mammals are so vulnerable to parasites during hibernation that they actually wake up periodically to boost their immune systems.

Sadly, within recent years spring flooding has been attributed to the decline in hedgehog numbers and the milder winters have seen many more ‘autumn orphans’. These are hedgehogs born late in the year that have not had sufficient time to build up their fat reserves. Hibernation is not easy for these late litters and if the young have not reached the critical weight of 1lb or 450 grams they are unable to survive the winter and will need our help.

With all the perils hedgehogs face (did you remember to check your bonfires too?) it is no wonder they have recently been added to the UK BAP (Biodiversity Action Plan) as a priority species due to their rapidly declining numbers. Therefore we need to do all we can to create an environment suitable for our prickly friends – this includes having wild plants that attract their slug and snail food source and leaving alone leaf piles in the autumn in undisturbed areas of shrubbery allowing them to build their winter nests. You could even consider buying a purpose-built hedgehog box from your local garden centre.

So if think you have spotted an ‘autumn orphan’ or if you’d like to know more about how to make your garden safe for hedgehogs, then call Sussex Wildlife Trust on 01273 494777, or visit www.sussexwt.org.uk.

Thanks to Sussex Wildlife Trust for helping me compile this column.
Image: Hugh Clark/Sussex Wildlife Trust

» Another fine tune

Matt McGuire has a sneak of preview of Relay, an exhibition exploring sound

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Come with me now on a journey into sound. Or, to be more precise, sound art.

Nestling in the heart of The Lanes, in the little-known Friese Greene Gallery, is an exhibition called Relay. It’s the brainchild of Julian Weaver and Gavin Peacock, otherwise known as Finetuned, a ‘curatorial organisation’ that commissions and exhibits work that ‘manifests a particular engagement with sound’. A chewy concept, perhaps, dear reader, but a fascinating and entertaining one too. Go on then, read on.

“We started Finetuned because we wanted to help highlight the nationally and internationally renowned artists that live and work in and around Brighton,” explains Julian. “Too often they exhibit in London or Helsinki or elsewhere too far afield. We wanted to bring them closer to home.”

“We wanted to help highlight the nationally and internationally renowned artists that live and work in and around Brighton”

This latest exhibition (divided into two parts) features installations and text from eight artists and writers, all on or relating to the subject of sound. The second half gets underway on 30 November and includes such delights as a silent six-foot church bell built from 125 rings of lasercut MDF, the recording of the tuning of a bell at the foundry that created Big Ben and a set of mic’d-up automated swings.

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“The gallery is the main outlet for the exhibition,” begins Gavin. “But it’s also being broadcast to the Ruskin School of Drawing in Oxford, Quay Arts on the Isle of Wight and Farnham Maltings in Surrey.” “It’s all about reaching different people,” adds Julian. “Ouroutreach programme used the slogan: ‘Love art, hate galleries?’ There shouldn’t be boundaries to these things. Hopefully we can engage with people that wouldn’t normally access this type of event.”

As you might imagine, Julian and Gavin don’t have common-or-garden CVs. “I guess I’m a sculptor,” smiles Gavin, whose previous work included ‘Flatpack’, a series of modular units that audiences could arrange and rearrange as they saw fit. “But lately I’ve been working more with video, including the Compton Skyline Project [part of the Brighton Festival].”

“While I work primarily with sound,” reveals Julian. “And on locating the disparities in historical documents. Not to mention researching events throughout history that have links to both zeppelins and pianos.“ Excuse me? “Yes, there’s a lot of them,” he grins. “For example, the Hindenburg had an aluminium and pigskin baby grand aboard…”

With facts like that at their fingertips, you know these are people you can trust to put on a show.

Relay is at Friese Greene Gallery, 15–17 Middle Street, Brighton, from 30 Nov–21Dec.
Open Tues–Sun 12pm–6pm. Visit www.finetuned.org

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